2019英語讀書筆記4篇
thoughts given by sherlock holmes and the duke’s son.
written in the first chapter of the book pride and prejudice is an extraordinary sentence of which even a person who has had only a brief look upon the book will not fail to receive a deep impression-it is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife. in terms of sherlock holmes, we’d better alter the sentence into “it is a fact universally accepted by readers throughout the world that an excellent book in possession of our famous detective sherlock holmes is undoubtedly a masterpiece of all times.” perhaps this is one of the most obvious explanations for the unrivaled popularity of “holmes series” in the field of detective stories. overwhelmed by the recommendations provided by my friends, i decided to take a look on this sherlock holmes and the duke’s son originally published by oxford university press.
as a whole, this book is about a case concerning the duke’s missing son. arthur, the duke’s son, was found out in a certain morning to have disappeared, accompanied with which was also the disappearance of the german teacher. the school master dr. huxtable then turned to the famous detective of the time sherlock holmes for help. realizing how tough and important the case is, holmes immediately made up his mind to accept the case and followed dr. huxtable back to mackleton by train. having formed a rough idea about the whole matter, holmes probed into the case immediately and had a careful investigation of the entire area shortly after the arrival, during the process of which he discovered the body of the german teacher heidegger. finally, primarily due to his prominent ability as a detective, he managed to unravel the mystery and obtained the twelve thousand pounds promised by the duke.
having once started reading this fiction, i was completely immersed in the mysterious story presented by the book. as the saying goes, “well begun, half done”. at the beginning of the story, just like many other detective stories, the author gives us a brief description of the condition by the words of a client. however, unlike other ones, this story first delineates the client’s strange behavior at length to indicate the severity of the incident in order to attract the readers to continue reading it. as is known to all, vivid depiction is essential to detective stories since it can help the readers understand each figure’s characteristics and visualize the scenes, thus making the story more authentic and attractive. therefore, trying to present a “real world” to his readership, sir arthur conan doyle, author of the original “holmes series”, has skillfully arranged the plots of the whole story from the perspective of dr. watson, a character not so specialized in discovering the truth hidden behind the enigmatic happenings as holmes but so loyal to sherlock homes as a friend that he always accompanies holmes wherever he goes. in this way, he elaborately depicted every scene and character in the book, apart from the special start, the ending of the whole story, being dramatic but reasonable, is certainly an outstanding one. after all, except the author himself, who knows that the duke’s seemingly ordinary secretary is in fact the duke’s bastard? in addition, who knows that the duke actually has already been acquainted with the whole thing before holmes solves this complicated problem? yet, surprising as it is, this ending seems so natural that it fits all the plots of the story perfectly well. while enjoying this wonderful story, i could do nothing but admire the wonderful design of this masterpiece as well as the author’s gorgeous writing skill. closing my eyes, i can even “see” the story happening just like watching a film. not until then did i understand why the japanese cartoon film detective conan used this “conan” as the name of its hero.
as far as i am concerned, nothing is more admirable and surprising in the hero sherlock homes than his profound knowledge which has certainly assisted him a lot when he was studying the case. take the bicycle tyres for instance, holmes actually is capable of recognizing 42 different varieties of bicycle tyres. what’s more, according to his other stories, holmes has studied different kinds of newspapers, cigarettes, people’s footprints and other special things as well. therefore, he seems to have the mastery of anything relevant to the cases he deals with. except for his illimitable knowledge, holmes also specializes in arranging the facts in order and then finding the fact leading him to a great discovery or even the truth itself. from his speaking “every mystery has an answer”, we can readily shape the impression of a man with great intelligence and inflexible will. in this case, after getting rid of unrelated facts, sherlock homes eventually grasped the clue and discovered the amazing fact.
小學(xué)英語教師讀書筆記(一)
讀書筆記
------ 讀《小學(xué)英語教學(xué)法》
全面推薦素質(zhì)教育,是當(dāng)前我國現(xiàn)代化建設(shè)的一項緊迫任務(wù),是我國教育事業(yè)的一場深刻變革,是教育思想和人才培養(yǎng)模式的重大進步.作為有”世界通用語”之稱的英語,它的使用價值越來越高,越來越受到世界各國人民的重視.該書以現(xiàn)代英語教學(xué)理論為指導(dǎo),重點介紹小學(xué)英語教學(xué)的基本原則和方法以及編者多年進行兒童英語教學(xué)實踐,從事小學(xué)英語教學(xué)法課程教學(xué)和研究的經(jīng)驗和體會.
書中指出,小學(xué)生學(xué)習(xí)外語具有模仿力強,記憶力好,勇于開口等特點和優(yōu)越條件,對今后進一步學(xué)好英語,培養(yǎng)用英語進行交際的能力,將起著及其重要的作用.因此,作為一名小學(xué)英語教師,我們的注意力和精力應(yīng)該放在其語言技能的培養(yǎng)上,而不是放在單純的語言知識上,要激發(fā)學(xué)生學(xué)習(xí)英語的興趣和動機;培養(yǎng)學(xué)生良好的學(xué)習(xí)習(xí)慣;使學(xué)生獲得英語的一些感性知識;打下較好的語音基礎(chǔ),學(xué)習(xí)一定量的詞匯,接觸一定量的日常交際用語,從而具有以聽說能力為主的初步交際能力;使學(xué)生在英語學(xué)習(xí)中受到良好的思想品德教育,個性得到健康和-諧的發(fā)展.
作為一名小學(xué)英語教師,要搞好英語的教與學(xué)活動,運用恰當(dāng)?shù)慕虒W(xué)方法,通過小學(xué)教學(xué)活動的趣味性,直觀性,實踐性使小學(xué)生愛學(xué),會學(xué),主動學(xué).小學(xué)英語教學(xué)法課是一門理論和實踐相結(jié)合的專業(yè)課.不是會講英語的人就能教好英語.我們不僅要具有堅實的英語基礎(chǔ)知識和運用語言的能力,還必須學(xué)習(xí)有關(guān)英語教學(xué)的理論,提高自身的教學(xué)能力.
歌謠,充滿童趣,合轍壓韻,瑯瑯上口,迎合了少年兒童的心理與口味.簡筆畫,一種具有普遍推廣意義的直觀教學(xué)手段,它運用最簡單的線條和平面形概括地勾畫出物象的主要特征,用筆簡練,形象簡潔,應(yīng)用簡便.它有利于活躍課堂氣氛,激發(fā)學(xué)生興趣,化解教學(xué)難點,變抽象為具體,化復(fù)雜為簡單,并能增強記憶,提高學(xué)習(xí)效果.運用歌曲和音樂學(xué)習(xí)語言也是外語教學(xué)的有效方法之一.用教唱英語歌曲的方法把兒童引入英語的廣闊殿堂,無疑是符合兒童心理發(fā)展規(guī)律的,它具有以下作用:激發(fā)學(xué)習(xí)下去;提高學(xué)習(xí)效益;完善學(xué)習(xí)品質(zhì);充實文化知識等.我們可以從各類兒童英語教科書中選擇一些旋律較熟,唱詞簡單適合的歌曲.如<>,<>,<>等.當(dāng)然還可以自己編歌.英語課外活動與課堂教學(xué)有著密切的聯(lián)系,它與課堂教學(xué)的目的是一致的,是英語課堂教學(xué)必不可少的輔助形式.開展好課外活動可使學(xué)生儲存一些學(xué)好英語的潛在能量,對課堂教學(xué)起到很好的促進作用.它有利于提供更多的語言實踐機會,因材施教,開發(fā)智力,拓寬視野,培養(yǎng)合作精神,但在開展英語課外活動的時候要防止隨意性和盲目性等.要根據(jù)學(xué)生的不同年齡,性格,興趣和特長,采取不同的活動方式,常見的活動形式有英語競賽(小學(xué)生的表現(xiàn)欲和榮譽感都比較強,適當(dāng)?shù)卦谡n外開展一些競賽活動,既能提高學(xué)生學(xué)習(xí)英語的興趣,調(diào)動他們的積極性,又能對學(xué)生的思維,記憶,理解,反應(yīng)等能力進行綜合訓(xùn)練,有利于綜合素質(zhì)的培養(yǎng)),英語晚會(有利于發(fā)揮學(xué)生的作用和獨創(chuàng)精神,鍛煉學(xué)生的組織能力,培養(yǎng)學(xué)生對藝術(shù)的興趣和藝術(shù)才能),英語角,英語學(xué)習(xí)園地等.
作為一名小學(xué)英語教師,在具備與其他學(xué)科教師共性的素質(zhì),如敬業(yè)精神,良好的師德,廣博的文化知識之外,還應(yīng)具有良好的心理素質(zhì),因為在教育過程中,教師心理品質(zhì)對學(xué)生心靈的影響,是任何其他教育手段無法代替的.它不僅表現(xiàn)為一種教育和教學(xué)工作的成敗,而且作為一種巨大的教育力量潛移默化地影響著學(xué)生的人格.同時要具有系統(tǒng)而扎實的語言基礎(chǔ)知識和聽說讀寫幾方面的技能和能力和較強的教學(xué)能力,包括語言的示范能力,綜合教學(xué)技能等.還要有改革創(chuàng)新的意識,要隨著時代的發(fā)展變化重新設(shè)計塑造自己的形象.
小學(xué)英語教師讀書筆記(二)
一、導(dǎo)入要新穎.
俗話說:“良好的開端是成功的一半”。上課也一樣。教師的循循誘導(dǎo),能讓學(xué)生產(chǎn)生強烈的求知欲和好奇心,從而更積極主動地參加課堂教學(xué),為整節(jié)課的成功作準(zhǔn)備。可以采用以下幾種導(dǎo)入:⒈歌曲導(dǎo)入。⒉設(shè)置懸念。當(dāng)然導(dǎo)入很多,教學(xué)中不能單一的用一種導(dǎo)入,也許這種導(dǎo)入剛開始學(xué)生覺得很有勁,但天天用學(xué)生就會厭倦了。所以教師設(shè)計時要多多新穎,多多改變,盡量多樣性。
二、創(chuàng)設(shè)情景,多用直觀教學(xué).
由于小學(xué)生年齡較小,生活經(jīng)驗不豐富,知識范圍有限,決定了他們對直觀、新穎、有趣的材料容易理解和接受。比如學(xué)生學(xué)習(xí)“good morning ﹑good afternoon ﹑good evening”這三個問候詞時很容易混淆,我就用道具設(shè)置情景:畫了三幅圖,有從東面初升的太陽表示上午,有正在上方炎熱的太陽表示中午,有明亮的月亮表示晚上。再叫學(xué)生用“good morning ﹑good afternoon ﹑good evening”來說,加深了學(xué)生的印象。作為一個小學(xué)英語教師表情要豐富,如果表情呆滯,語言平淡,學(xué)生就不能全身心投入學(xué)習(xí)中。所以在課堂上,老師需要生動地表演,豐富的表情,使學(xué)生進入一個童話世界。在制作教具時可讓學(xué)生自己動手畫、動手做。在教學(xué)中要用到的圖片,可以提早幾天布置下去,當(dāng)他們的作品被運用在課堂上時,孩子們都很興奮。這樣使學(xué)生體會到成功的喜悅也激發(fā)了學(xué)英語的興趣。此外畫圖片,也培養(yǎng)了學(xué)生的繪畫能力,也可讓他們熟悉一下將要學(xué)的新知識,真是一舉多得啊!
三、運用多種教學(xué)方式使學(xué)生“玩學(xué)結(jié)合”.
愛玩是孩子的天性。教師在課前充分利用教材內(nèi)容,精心設(shè)計一系列知識性、趣味性強的聽、說、讀、寫教學(xué)游戲,使學(xué)生邊玩游戲邊學(xué)習(xí),在豐富多彩的游戲中接受英語,喜歡英語,達到“玩與學(xué)”相結(jié)合的目的。在小學(xué)英語書上有許多單詞要記住,這就得通過讓學(xué)生在各種游戲中慢慢學(xué)習(xí)單詞,而不是死記硬背。我們要掌握的單詞以卡片、圖片、頭飾、動作等各種不同形式展現(xiàn)給學(xué)生,通過各種游戲進行滲透。
there being always a big disparity and contradiction between real life and life in literature,so we cannot take everything as god's doing when life seems difficult and unpredicted to us.maybe it is a chance given to us to adjust ourselves to the society when facing with frustrations or accidents.and this is the cruelty of the reality:the imagination is differs from reality and people have no ideas about how to deal with such a situation.therefore, madame bovary,as an embodiment of reality and ideal of life,was born.
madame bovary is one of gustave flaubert's representative works and it takes nearly five years to be finished.gustave flaubert was the important critical realism writer in french flaubert, whose works reflect the 1848-1871 era between the french style, exposed the ugly vulgar bourgeois society. he was famous for his creation theory --- "objective and indifferent" and carved artistic style in the history of french literature. for many critics and historians of french literature, flaubert is by far the most modern of the great nineteenth-century novelists,and it is easy to see why. because he has being an originator of 'realism' in prose fiction. but, what makes his writing in mandame bovary distinctively modern rather than the simple continuation of an earlier self-conscious literary manner?it is because that flaubert ascribes to writers in the exercise of their craft.
madame bovary depicts a process of the gradual degeneration of a bourgeois woman who grew up in a church and was not satisfied with her a mediocre life. in order to pursue a romantic hero and elegant life, the actress, emma, stoop and has adulterous relationship with leon and rodolphe. as her family cannot enable her to enjoy a luxurious life, she has to borrow much money to spend with her lovers. ultimately ,because of inability to repay debt, she ruined her own reputation then commit suicide and left a little daughter and her husband alone .however,after emma's death the town is as usual just as nothing special happened.rodolphe idles away time by hunting in the forest all day long and leon also has an easy time in the city. what a grieved, poor woman!
by describing a married woman's life experience which is full of passion and fervor, flaubert used a succinct,exquisitive wirting style profoundly reappear the french social life in the middle 19th and truly reveal the dark of the whole country at that time. flaubert, the author was sickened with the french mdiddle class he was born into.he believed them to be lazy, unconcerned, and selffish. madame bovary is about such a self-centered, envious and dramatic middle class french woman. the book was originally in french, but was translated into english.
madame emma bovary is a tragic person.she rans after romantic love and a prodigal life , however, she does not realize that her living conditions cannot guarantee her what she wants.when love is built on the base of substance, it is doomed to be a tragedy. no matter how degenerate it is, there to be only one result---tragedy. so, who forces emma to go to the dead end? it is the people's indifference and cold made her disapppinted? or she gives up herself to real life? perhaps, it is that society compel her to poison herself. from emma's life, we can easily find that every one has a personal attitude towards dreams' chasing. and for us, we seldom imaging and daydreaming.
however,madame emma bovary sinked into using her own version of the image and, therefore, her still adolescent habits of imagination have brought her into radical company. madame bovary's extremely action is absolutely reflection of her unsatisfied with herself. these so-called dreams are definitely illusory and unreal. after finishing reading this book, for a long time, i just immerse myself in the book and cannot come back to the real world. it shocks me that flaubert is so intelligent and wise that the world he describes in the book madame bovary can also reflects some serious problems in today’s life. they have such a surprising, unbelievable things in common! a majority of people in nowadays, just like emma,dreaming of finding a prince or a princess and enjoying a happy life without being bothered by daily chores and having to work for life. however, how could these daydreams can come to be a reality in a high-paced and competed society? apparently, the answer is cannot! thus, we should learn to figure out the current situaton and have our eyes opened by the social reality. as an old sayings"as we sow,so we will reap. " we have to strive for our dreams with our own hands and sweat. in brief, a good book cannot only has an interesting story but also can educates the readers and still exists with hundreds of years go by.
中學(xué)英語教師讀書筆記(一)
如何做一個充滿激情的英語老師
在新課程改革實驗不斷推進的今天, 我認(rèn)為做一個中學(xué)英語教師決不能沒有激情, 不富有激情的人就不能稱其為一個上乘的英語教師。那么, 如何使自己成為充滿激情的老師呢? 如何創(chuàng)設(shè)一個積極互動開放的教學(xué)情境, 使英語教學(xué)事半功倍呢?
一、做一個充滿激情的英語教師, 首先要熱愛生活、熱愛英語、熱愛學(xué)生, 在自己的心中時常蓄積著猶如巖漿般的滾燙的情, 讓每一個學(xué)生心底里沉淀的情發(fā)酵、釋放。在平時的交流中, 老師要讓學(xué)生感覺到我們同他們的關(guān)系十分重要。老師也許是喜歡學(xué)生的, 但可能所作所為卻恰恰相反, 如推遲上下課, 不重視學(xué)生的時間; 提供的材料不是太簡單就是太難, 不能針對學(xué)生的實際能力; 不提供相互交往或討論的機會, 無視學(xué)生的想法; 不考慮學(xué)生的安排、問題或擔(dān)憂, 表現(xiàn)出對學(xué)生漠不關(guān)心; 不按時上班或抽空去看學(xué)生, 不尊重學(xué)生的需求, 尤其是他們課外的個人需求; 無節(jié)制的幽默或使用嘲諷的語句等。看不起學(xué)生或是使他們難為情可能使學(xué)生產(chǎn)生強烈的痛苦, 摧毀自信, 醞釀敵視。當(dāng)然我們熱愛學(xué)生, 就要在我們的行為中清清楚楚地表露出來; 熱愛學(xué)生包括對他們的需求和興趣愛好的欣賞。這密切關(guān)系到我們了解學(xué)生如何學(xué)和他們需要什么幫助, 以便去鼓勵這種學(xué)習(xí), 也包括我們將其當(dāng)作學(xué)習(xí)者直接或間接的鼓勵。在課堂上就反映在我們自發(fā)的行為和對班上成員持續(xù)不斷的敏感程度之中。
二、要有幽默感。《英語課程標(biāo)準(zhǔn)》中指出:“學(xué)生只有對自己、對英語及其文化、對英語學(xué)習(xí)有積極的情感, 才能保持英語學(xué)習(xí)的動力并取得成績。消極的情感不僅會影響英語學(xué)習(xí)的效果, 而且會影響學(xué)生的長遠(yuǎn)發(fā)展。因此, 在英語教學(xué)中教師應(yīng)該自始至終關(guān)注學(xué)生的情感, 努力營造寬松、民主、和諧的教學(xué)氛圍。戲劇大師莎士比亞也曾說:“幽默是風(fēng)趣和智慧的展現(xiàn)。”“幽默”一詞是英文humor的譯音, 它是一種個人獨特的氣質(zhì),它是一種高超的藝術(shù), 有聲的或者是無聲的。也有人說, 幽默既是一種語言藝術(shù), 又是一種行為特征。從心理學(xué)上講, 人們大都喜歡幽默的故事, 欣賞富有幽默感的人。因此, 一位英語教師有一份幽默, 在英語教學(xué)中恰當(dāng)運用幽默, 能激發(fā)學(xué)生的情感, 引起他們的喜悅和歡樂, 他們獲得精神上的享受和快感, 從而激發(fā)學(xué)生的學(xué)習(xí)興趣和學(xué)習(xí)主動性, 幫助學(xué)生加深對知識的理解和記憶, 提高課堂教學(xué)效率。這樣教師的教學(xué)就有了個性魅力和智慧的光彩, 就能把一些抽象的、復(fù)雜的教學(xué)內(nèi)容, 以一種生動而饒有興味的形式表現(xiàn)出來, 強烈地吸引學(xué)生的注意力, 降低教學(xué)難度, 進而達到良好的教學(xué)效果。
三、營造“激趣→創(chuàng)景→啟發(fā)→探求→交際”的教學(xué)互動過程。傳統(tǒng)的英語課堂教學(xué), 只重視英語知識的機械輸入和積累, 而忽視學(xué)生學(xué)習(xí)英語過程的啟發(fā), 特別是英語語言的實踐活動等過程, 造成學(xué)生被動學(xué)習(xí), 課堂氣氛缺乏活力和生機,師生之間缺少情感交流,無有效互動。而新課改理論指導(dǎo)下的課堂教學(xué)則要求: 教師在組織課堂教學(xué)中, 不僅要有效靈活地傳授知識和技能, 同時, 還要激活課堂氣氛, 調(diào)節(jié)學(xué)生學(xué)習(xí)興趣, 師生之間要進行情感交流, 教學(xué)互動。
四、教學(xué)要有智慧, 把握好英語課堂教學(xué)抒發(fā)激情的最佳時機, 使英語課堂教學(xué)波瀾迭起, 收獲多多。高超的教育教學(xué)技巧, 駕輕就熟, 不落窠臼, 讓英語課堂教學(xué)永遠(yuǎn)保持一種清新的感覺, 讓學(xué)生絲毫覺察不到教師人為的痕跡。我們必須深信自己的知識。英語教學(xué)并非單純機械的單詞和語法知識積累, 句型的操練和課文的講解, 而是開啟學(xué)生獲取知識和能力的智慧天窗。在組織教學(xué)中, 教師要根據(jù)學(xué)生的心理欲望, 釋放出內(nèi)心的激情, 讓他們獨立地、創(chuàng)造性地發(fā)現(xiàn)問題, 分析問題, 解決問題, 主動積極地參與英語課堂教學(xué), 輕松愉快地學(xué)習(xí)。而這一切是否能夠順利做到, 和老師運用自身的熱情來調(diào)動學(xué)生是有很大關(guān)系的。當(dāng)然, 只有激情也不行, 還要有寬容、嚴(yán)謹(jǐn)、沉穩(wěn)等素質(zhì),總而言之, 一個好的教師應(yīng)該是: 寬容中有嚴(yán)謹(jǐn), 嚴(yán)謹(jǐn)中有幽默, 幽默中有沉穩(wěn), 沉穩(wěn)中有激情。激情是火, 可以點燃學(xué)生的求知欲望; 激情是露, 可以滋潤學(xué)生干渴的心田; 激情如風(fēng), 可以吹皺學(xué)生平靜的心湖; 激情如雷, 可以震醒學(xué)生懵懂的迷夢。讓我們激情飛揚、締造輝煌! 當(dāng)我們走進英語課堂, 我們的生命將充滿激情; 當(dāng)學(xué)生走出英語課堂, 他們的人生將更加輝煌!!!
中學(xué)英語教師讀書筆記(二)
提問行為是課堂教學(xué)的重要組成部分,是教師輸入信息、傳遞信息,與學(xué)生共享信息,達到師生雙邊交流的一條重要渠道。提問涉及到教學(xué)內(nèi)容的重點,它是組織教學(xué)的開端,是教學(xué)進程中轉(zhuǎn)換的“關(guān)節(jié)”,是學(xué)習(xí)過程中激活學(xué)生思維活動的重要因素。恰當(dāng)?shù)奶釂枺瑢W(xué)生來說,具有引發(fā)學(xué)生的學(xué)習(xí)動機,激發(fā)思維,加深對所學(xué)知識的理解程度,檢驗學(xué)生掌握學(xué)習(xí)技能程度等作用;對教師來說,具有檢查教學(xué)目標(biāo),重新組織教學(xué),反饋自己的教學(xué)效果等作用。
但是,實行班級授課制以后,提問在課堂教學(xué)中的運用相對減少了,教育工作者對提問技術(shù)的研究與認(rèn)識也不夠充分,即使在師范教育中,也沒有哪一門課程專門探討它。盡管在教育學(xué)和各科教學(xué)法中,大都初略地提到提問的問題,但這與提問在課堂教學(xué)中的地位和重要性是不相稱的。近幾年,在我國中小學(xué)教學(xué)中,提問逐漸引起人們的重視。如果我們對日常大量的提問現(xiàn)象作一下分析, 可以看出提問作為一種教學(xué)技術(shù),在課堂使用中依然比較模糊、雜亂,其功能的發(fā)揮也不夠全面,提問操作中還有相當(dāng)?shù)墓收嫌绊懼虒W(xué)效果。
國家新一輪基礎(chǔ)教育課程改革的目的是要落實素質(zhì)教育目標(biāo),提出學(xué)生的學(xué)習(xí)方式和教師的教學(xué)方式都需要進行科學(xué)的改變和完善。提問作為在課程中促進師生之間共同成長的一個基點,深入研究提問是擺在我們眼前的一個迫切任務(wù)。所以,提問既是對一種傳統(tǒng)的教學(xué)方式的再認(rèn)識,也是新課程改革中的重要課題。鑒于此,我們可以說,改善和提高教師課堂提問行為是實施新課程改革,落實素質(zhì)教育目標(biāo)的需要。
現(xiàn)任英語教師絕大多數(shù)成長于傳統(tǒng)教學(xué)之中。在學(xué)生時代,他們接觸到的是以教師為中心的教學(xué),呈現(xiàn)的是以事實為基礎(chǔ)的教學(xué)主題和像菜譜一樣穩(wěn)定不變的訓(xùn)練實踐,從而在個人的經(jīng)驗中形成了許多固定化了的教學(xué)心理模型。這些固定化了的教學(xué)心理模型形成了定勢,強有力地影響了他們自己走向講臺后的教學(xué)行為。
英語教師專業(yè)發(fā)展的直接途徑在課堂,改變傳統(tǒng)的固定化了的教學(xué)心理模型和課堂教學(xué)行為是目前擺在我們眼前的重要任務(wù)。提問作為課堂教學(xué)行為之一,也不可避免地成為我們促進教師改變其教學(xué)行為的關(guān)鍵性因素,是我們提高英語教師專業(yè)化水平的重要方面。
提問在英語課堂教學(xué)中有著舉足輕重的作用,教育心理學(xué)告訴我們:學(xué)生的思維過程往往從問題開始。學(xué)起于思,思起于疑。我國南宋理學(xué)家胡宏又把學(xué)習(xí)過程看作是發(fā)現(xiàn)問題、解決問題、提出獨立見解的過程。可見,每位老師都要科學(xué)設(shè)計問題來激發(fā)學(xué)生探究知識的愿望、拓寬學(xué)生的思維,并使自己及時對教學(xué)過程進行有效的調(diào)控,從而提高師生之間的雙向思維交流活動,促進課堂教學(xué)的和-諧發(fā)展。所以課堂提問的有效性使我們值得研究的課題。
那么,教師應(yīng)如何優(yōu)化課堂提問,提高課堂效率呢?讀了《優(yōu)化課堂提問》以后,我對課堂提問有了進一步的認(rèn)識:
提問應(yīng)遵循鼓勵性原則。教師在提問時應(yīng)引起學(xué)生的重視,激發(fā)學(xué)生學(xué)習(xí)動機,提高學(xué)習(xí)積極性,鼓勵學(xué)生參與課堂活動,積極地思考,變被動回答問題為主動積極,從而促進課堂效率的提高。教師要使每一個問題都要讓學(xué)生覺得有話可說,要鼓勵學(xué)生大膽說出自己想法。